Curation

Building programs and creative producing performance from a background in artist services, presenting, and museum curation, with an investment in artistic experimentation, social engagement, and intradisciplinarity.

Bebe Miller stands in the foreground, leaning foreward with arms outstretched; Ralph Lemon crouches on his knees with his head down and an arm out; Ishmael Houston-Jones sits on a chair in the background leaning on his knees.

Relations

Ishmael Houston-Jones, Bebe Miller, and Ralph Lemon

In Jimmy DeSana's photograph, a bare-skinned performer perches on one hand and balances both feet on the wall above in an angular handstand which casts dramatic green and red shadows. They wear cowboy boots on both hands and feet and face away.

Groundings

Co-curated with Grace Deveney, 2019

The flier image for Frictions has the title word stretching across three irregularly spaced images: a dancer in green gripping green fabric; a performer balancing between stairwell banister and wheelchair; two dancers in red crouching and leaning.

On Stage: Frictions

With Shamel Pitts | TRIBE, Will Rawls, and Barak adé Soleil

UPCOMING

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UPCOMING *

Stay tuned…

ADDITIONAL WORKS

On Stage: Entanglement

Mammalian Diving Reflex/Darren O’Donnell, Autumn Knight, and Kinetic Light

MCA brings back ‘On Stage’ live performances

Doug George, Chicago Tribune

Chicago Performs, 2022

Bimbola Akinbola, Erin Kilmurray, and Derek Lee McPhatter

The Necessity of Joy: Chicago Performs Debuts at the MCA

Sharon Hoyer, Newcity Stage

Frictions

With Shamel Pitts | TRIBE, Will Rawls, and Barak adé Soleil

How MCA Chicago’s ‘Frictions’ Performance Series Challenges the Dynamic of Movement: Interview

Bianca Gracie, Edition

What Remains, 2018 in the MCA Chicago Warehouse

Will Rawls and Claudia Rankine

It's not a poetry reading or a typical dance, and 'What Remains' wasn't made for Chicago — but it feels like it was

Lauren Warnecke, Chicago Tribune

Ishmael Houston-Jones explains his inspiration behind Parallels (1982) and how he met Bebe Miller and Ralph Lemon.

Relations, 2018 and Watch Party of the performance footage, 2020

Ishmael Houston-Jones, Bebe Miller, and Ralph Lemon

Art Apart: Then and Now, Together

Tara Willis, MCA Chicago Blog

Eyes Wide, Lights Low (program notes)

MCA Chicago

Review: In ‘Relations,’ 3 Choreographers Improvise Like Family

Siobhan Burke, The New York Times

The Dreamscape, 2021

Virtual live arts programming for the exhibition The Long Dream

THE LONG DREAM ARTIST RESIDENCIES: Derek McPhatter

Laura Paige Kyber and Tara Willis, MCA Chicago Blog

JACK & the Community

Tara Willis, MCA Chicago Blog

The exhibition Groundings, 2019

Co-curated with Grace Deveney

Last Audience: a performance manual, 2020

By Yanira Castro, a canary torsi, a booklet of performance scores with two public program/performances involving local civic practitioners in dialogue with the artist

Last Audience: a performance manual (FREE PDF DOWNLOAD)

The MCA and Smart Museum provide tool kits for plague times

Kerry Reid, Chicago Reader

Make Some Noise and Move: A Choreographer Provides Instructions

Siobhan Burke, The New York Times

Level, 2019

By Kim Brandt, Site-specific performance in MCA’s front steps and atrium

TRAILER: Kim Brandt, Level

The Storefront Project

Co-curated with Olivia Lilley of Prop Thtr

The Storefront Project provides a movable feast of devised theater

Kerry Reid, Chicago Reader

Movement Research Festival Spring 2016: Hand Written Note(s)

Curated by Aretha Aoki, Elliot Jenetopulos, Eleanor Smith and Tara Aisha Willis

Photo Credits: Curation hero image, M_ _ _ER by Autumn Knight, Museum of Contemporary Art Chicago, Photo by Jeremy Lawson Photography.

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